高 山 仰 止 Distanced One
400x400x250cm
2017
紙本、墨、木料FRP、機械及電子零件
Ink on paper, installation, wood, FRP
作品《高山仰止》與楊祐丞共同創作，初始從一張父親(戀人的父親)出外旅遊照片去發揮，延展兩個人面對同一件影像(特定對象)時不同的詮釋。
水墨經典筆與墨間注入個人修為作為極其崇高的精神性表現，以寫生出發是學習的途徑之一，但卻難以使我進入其中。在這裡反其道而行，將個人體現透過反覆運行的流動，像是「書寫」般，將自我投注於對象的意念，圖像化成觀光區特有的「風景」。
“When confronting an image you are stuck halfway, incomplete” (Randy Yang)
“Confrontation… it is like looking through a blurred screen” (Si-Qi, Peng)
The partnership between Randy Yang and Si-Qi Peng originates from two people giving different interpretations when facing the same image. While studying Chinese traditional ink painting technique, in her works Si-Qi Peng constantly balanced the contradictions between a noble spirit and her personal visual experience. This work takes as its reference the photo of a scene spot taken by the artist while sightseeing with her father, as well as interesting with Randy Yang’s coin operated binoculars. Besides handling the ink painting issue through the image, this work also speculates about the image perspective.
